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Planting: A New Perspective, by Piet Oudolf
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From Booklist
Designers of some of the world’s most distinctive gardens, Oudolf and Kingsbury bring their unrivaled expertise and iconic aesthetic sense to bear as they consider twenty-first-century trends and challenges confronting both home gardeners and landscape professionals. Faced with concerns such as sustainability, biodiversity, nature deficit, and water reclamation, they extol high-performance designs that aim to collaborate with nature rather than control it. In truth, their gardens are paragons of apparent spontaneity, exhibiting an exuberance that seems neither forced nor contrived. Through innovative plant combinations and naturalistic landscape designs, modern gardens can address contemporary opportunities such as green roofs and urban prairies with an air of casualness that belies the importance of ecologically sound planting methods. Teeming with delectable examples of the authors’ signature, free-flowing gardens, the book also includes a comprehensive, at-a-glance plant directory that both private gardeners and industry professionals will find helpful. Luscious photographs and meticulous explanations of techniques and methods make this an essential reference guide and constant source of inspiration. --Carol Haggas
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Review
“Indispensable. . . . an impassioned plea for packing beds tightly, interlacing species lightly, choosing plants that survive multiple stresses, [and] letting seed heads stand through winter.” —The New York Times Book Review “Luscious photographs and meticulous explanations of techniques and methods make this an essential reference guide and constant source of inspiration.” —Booklist “In Planting: A New Perspective (Timber Press), written with fellow landscape architect Noel Kingsbury, Piet Oudolf details for the first time the specific ingredients that go into his horticultural alchemy, and even includes original plans and plant charts.” —Elle Décor “This is a thoughtful, insightful guide that deserves serious consideration.” —Library Journal “It treads a well-pitched line in providing gritty information to the professional and the amateur alike… It is fascinating to see this pinnacle of public naturalistic planting explained and contextualized.” —The Guardian “No one does ecology-based plant harmonies better than these two, and it’s just so sweepingly, stunningly beautiful…A fascinating and technical exposition of how Piet has changed the way plants are used.” —The Telegraph “In Planting: A New Perspective, Oudolf and Kingsbury detail what it takes to design, plant, and maintain the new nature-like landscapes. This is a how-to book that will leave you with the information, courage, and enthusiasm to approach your own landscape in a new way…The authors leave no doubt about the importance of natural beauty to human life, and they show how to reproduce aspects of it successfully.” —Landscape Architecture Magazine “A fascinating insight into Piet Oudolf’s approach to design.” —Gardens Illustrated “Features groundbreaking design principles that can be applied to the home garden.” —Garden Design “For anyone who wants to emulate and understand what is happening in [the High Line’s] naturalistic designs.” —Highlands Current “The book includes an extensive plant directory, which covers detailed information about each plant mentioned in the book; from the plant measurements, flowering season and spreading ability to the foliage architecture (plus lots more). It is a great guide for anyone wishing to try out the style Piet Oudolf uses in his magnificent gardens.” —The English Garden “A wonderful primer for the home garden.” —Chicago Tribune “No one does ecology-based plant harmonies better than these two, and it’s just so sweepingly, stunningly beautiful.” —Pacific Northwest Magazine
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Product details
Hardcover: 280 pages
Publisher: Timber Press; 38203rd edition (April 9, 2013)
Language: English
ISBN-10: 1604693703
ISBN-13: 978-1604693706
Product Dimensions:
8.9 x 1.1 x 10.3 inches
Shipping Weight: 3 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
53 customer reviews
Amazon Best Sellers Rank:
#25,292 in Books (See Top 100 in Books)
I was disappointed in this book. True, there are some lovely photographs of the High Line, the Lurie Garden and other projects. There is a reasonable, albeit long-winded, discussion of designing a garden to mimic nature, but the production values are wanting, which is surprising because I have many books from Timber Press. The author makes reference to many plants that are not listed or described in the book, the plant is only included in a large garden dominated by grasses. I had to guess what plant he was describing. In some cases, I wrote down the name of the plant to look for it on the internet.At the back of the book there is a plant list, divided into three categories: perennials, grasses and ferns. There are no photographs of most of the plants listed; there is a schedule, similar to a spread sheet, which attempts to describe the plant. In this section of the book, the photographs of the individual plants vary greatly by quality; some are out of focus, some show flowers and no leaves, some show leaves and no flowers, most were not in scale. I had the impression that the photos were just lying around and were not taken specifically for this book. It seemed odd that there were photographs of the most common plants but no photographs of lesser known and rarer plants.The author includes many diagrams of the plant designs of many, many gardens, including block-by-block patches of the High Line. While of interest, this is over-kill and the pages would be better used to show the plants described in the gardens.Lastly, there was a sameness to the gardens featured in the book; this sameness encouraged me to study the photographs with great care. By carefully examining the photos, it was possible to discern the subtle differences between the gardens featured.The gardens in the book were in full sun; it would be interesting to know how the Oudolf principles apply to shade gardens which cannot support the many grasses featured.
I am a huge Piet Oudolf fan. But the perspective offered in this book is of prairie style with lots and lots of grasses, which is beautiful in the right context, by which I mean you must have a large open space to be successful. For the average gardener,with a small to medium garden surrounding a house, this style is not useful. I wish I could utilize more of Mr Oudolf's ideas. Maybe someday....My only problem was that the mailer had put the book into a padded bag, and it was in so tight, that when I pulled it out, the dust jacket ripped. So much for my beautiful new book!
I have a great deal of experience and education with plants and planting design. I think this is a very good book as it gets into particulars and specifics of planting design. Most gardening books I don't bother with as they are for people who are just starting. That doesn't mean you can't get a lot from this book if you are a beginner. It would be a very good way to begin.After reading other reviews of this book I think that one of the great values of this book is to suggest a more aesthetically pleasing way of using plants in a more sustainable and environmentally responsible way. As a very savvy writer (Anne Whiston Spirn?)has said, we tend to think of sustainability as a hair shirt, something we must don no matter how uncomfortable or awkward. This book shows how lovely native (or non-invasive, climate appropriate, non-native) plantings can be. I think part of the value for me of this book is to introduce more people to the beauty of a more sustainable or even regenerative style of garden. Using plants in a way that accommodates the way they grow naturally means far less input of chemical (not organically derived) fertilizers and water. Because this book encourages a more sophisticated design style that depends on understanding how and why a plant flourishes, it is by default a more environmentally friendly garden guide. Maybe I shouldn't have let that cat out of the bag. I wouldn't want people to ignore the book because it is more environmentally responsible. Using plants in a way that is closer to how they would grow in their native habitat means that you are using what nature has designed to be healthy. Part of the value of this book is that it describes structure in a way that isn't about strict geometry or unnatural forms. Structure in this book is about how a group of one plant or of a partnership of different plants "reads" when one looks at it. There are still attributes like layers and arrangements for bloom time, color, etc. but it encourages us to understand why some plants are better in partnership, that is, inter-planted and why some plants are better in a drift.You cannot go wrong in getting this book. Even if you have a small space to plant in the idea of mixing plants can be very important to your garden. Allowing plants to grow as they are designed to do and understanding what shape that takes over time means less disturbance and therefore healthier soil biology because your garden will need fewer inputs. BTW, that means lower cost with greater output!
This is a very enjoyable and informative book about 'naturalistic' planting design. It focuses on the forms/architecture of perennial plants and theories of how to combine them for visually richness. It reviews many well-known designers' styles and techniques and breaks them down into a clear, easy to understand language and syntax. It is focused more on open, sunny planting sites, but does briefly mention woodland edge plantings - in any case, the design language is the same, but the syntax is different. There are many rules of thumb to note, but the whole book is a great collection of planting design theories that have been well tested. I recommend this if you are a hobby gardener looking for the techniques used for 'magazine cover' plantings or if you're a designer who wants to understand the history, evolution, and theory of planting design to inform your own creativity. I haven't found another book that discusses theory so thoroughly and in a manner that is so clear and adaptable.
As a gardener, I am amazed and in awe of the techniques used in Piet Oudolf’s gorgeous garden designs. The advice given on how to plant in this way is simple and easy to understand, though I admit I had to look up some of the terminology. I appreciate the emphasis on both public and private sustainability, and support for biodiversity. He designs the most beautiful biosuales I have ever seen.
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